Showing posts with label states rights. Show all posts
Showing posts with label states rights. Show all posts

Saturday, May 28, 2022

The Serial Tremendous -- May 28, 2022

Moving Picture Weekly, 27-May-1922

William Desmond prepares to clout a hungry wolf. Perils of the Yukon is touted as "The First Alaskan Chapter-Play Ever Made." Perhaps chapter-play sounded classier than serial.

Film Daily, 06-May-1922

Universal jumped on the latest American fad and produced a serial called The Radio King. If I read the Morse Code correctly, it says "BEWARE. I AM THE VOICE IN THE AIR." in both ads. I added the punctuation.

Film Daily, 09-May-1922


Moving Picture Weekly, 13-May-1922

Universal established its own radio station. This item also says that William Desmond was injured while making Perils of the Yukon.

Moving Picture Weekly, 27-May-1922

This ad lists all of Universal's chapter-plays that were presently in release, including two with Eddie Polo.

Film Daily, 13-May-1922

Colonel William Selig was using the residents of the Selig Zoo in The Jungle Goddess

Moving Picture World, 06-May-1922

Eddie Polo, who had gone independent was releasing Cap'n Kidd on a States Rights basis. 

Moving Picture World, 06-May-1922

Sunday, May 19, 2019

Bring the Children. This Boy is Always Good for a Laugh -- 19-May-2019

Chickasha, Oklahoma Daily Express, 30-May-1919
Billy West closely imitated Charlie Chaplin in a long series of comedies for different studios. While Chaplin was making the excellent Mutual comedies, West was making imitations of Chaplin's Essanay comedies. We saw West move from King-Bee to Bull's Eye.

Note that the bill at the Kozy Theater in Chickasha, Oklahoma is interesting.  "The Stagecoach Driver and the Girl," was a rerelease of a one-reeler that Tom Mix made for the Selig Polyscope Company in 1915.  There is also a chapter of "The Master Mystery," a serial starring Harry Houdini.  "Its Weird; It Thrills; Its different."  Those "Its" should have apostrophes.

Moving Picture World, 03-May-1919
"Her First False Hair" is an interesting title.

Moving Picture World, 03-May-1919
Bulls Eye (no apostrophe in this title) sold comedies with Billy West and Gale Henry on a states rights basis.

Moving Picture World, 10-May-1919
"Coppers and Scents"?  That is pushing it.

Moving Picture World, 10-May-1919
Executives from the offices in New York and the studio in Hollywood decided to split the difference and meet in Chicago.

Moving Picture World, 17-May-1919
Bulls Eye comedies with Billy West were selling well.

Wednesday, February 27, 2019

Billy West -- The Funniest Man on Earth -- February 27, 2019

Motion Picture News, 22-February-1919

Billy West closely imitated Charlie Chaplin in a long series of comedies for different studios. While Chaplin was making the excellent Mutual comedies, West was making imitations of Chaplin's Essanay comedies. We have seen him move from King-Bee to Bull's Eye.

Motion Picture News, 15-February-1919
I'm not sure this is correct.

Motion Picture News, 08-February-1919
Billy West's third production for Bull's Eye was yet to be named.

Motion Picture News, 08-February-1919
States' rights to the Billy West comedies were selling well.

Motion Picture News, 08-February-1919
The "Hollywood Hookum" column says that Billy Parsons, Billie Rhodes, Billy Desmond, Billy West and Billy Stowell were organize "a second artistic distributing company," like United Artists.

Motion Picture News, 22-February-1919
The Bee Hive Exchange continued to distribute Billy West's productions for King-Bee.

Monday, January 21, 2019

This Rolling Stone Will Gather No Loss -- January 21, 2019

Moving Picture World, 11-January-1919
Billy West closely imitated Charlie Chaplin in a long series of comedies for different studios. While Chaplin was making the excellent Mutual comedies, West was making imitations of Chaplin's Essanay comedies. We haven't seen him since August. Production has moved from King-Bee to the Bull's Eye studio.

Moving Picture World, 25-January-1919
"Pay Day at Bull's-Eye Studio."  Director Charles Parrott later became famous as comedian Charley Chase.  I don't know if Nat Spitzer is the same guy who later produced the famous exploitation film Ingagi.

Moving Picture World, 25-January-1919
Sol Lesser worked in Hollywood for many years as an independent producer.  He sold the Billy West comedies on the states rights basis.

Saturday, December 27, 2014

A Rare and Riotous Wholesome Comedy -- December 27, 2014

Moving Picture World, 12-December-1914

Some sources claim that Tillie's Punctured Romance is the first feature-length slapstick comedy, or even the first feature-length comedy. I don't know if that is true, but it is certainly the first one to be a big success, despite being advertised by the ALCO Film Corporation, which released the movie, with taglines like "The First Successful Picturizing of Comedy on a Whole Basis."  I wonder what that means in English.  Notice that the ad contains a photo of Charlie Chaplin dancing with star Marie Dressler, but does not mention his name.  Neither does it mention director Mack Sennett, costar Mabel Normand, nor the Keystone company which produced the film. 

We saw last month that Keystone was selling states rights to the movie:
http://bigvriotsquad.blogspot.com/2014/11/tillies-punctured-romance-november-17.html

Moving Picture World, 12-December-1914

This article from the same edition of Moving Picture World says that star Marie Dressler had sued Keystone's parent company, the New York Motion Picture Corporation, to obtain control of the picture, but that her suit had been dismissed and that NYMPC had sold the picture to Alco for $100,000. 


Motography, 12-December-1914

This article from Motography mentions that the "newly organized Alco Film Corporation ... had arranged to release the great comedy, 'Tillie's Punctured Romance,' with Marie Dressler as a regular unit on the Alco program."  It mentions Charlie Chaplin and director Mack Sennett. 

Moving Picture World, 19-December-1914
This ad says that Armbruster and Hock (good name) has states rights for the movie in West Virginia, Virginia, North Carolina and the District of Columbia.  This ad mentions Mabel Normand and Chaplin. 

Moving Picture World, 26-December-1914

This Alco ad mentions that Marie Dressler is "Supported by Charles Chaplin and Mabel Normand." 

The California Motion Picture Company had trouble with Alco as its distributor:
http://bigvriotsquad.blogspot.com/search/label/California%20Motion%20Picture%20Company

Monday, November 17, 2014

Tillie's Punctured Romance -- November 17, 2014

Motography, 14-November-1914

100 years ago, the Keystone Film Company offered states rights to its first feature production, Tillie's Punctured Romance.  Note that star Marie Dressler was billed above Charlie Chaplin, Mabel Normand and Mack Sennett. 

Some sources claim that Tillie's Punctured Romance is the first feature-length slapstick comedy, or even the first feature-length comedy.  I don't know if that is true, but it is certainly the first one to be a big success.  Marie Dressler was a comic star in vaudeville and Broadway.  She starred in Tillie's Nightmare on Broadway.  Tillie's Punctured Romance is loosely based on the play. 

Motography, 14-November-1914

"Up to the present time multiple reel comedies of three reels or more have been more or less experiments, and , in the majority of cases, absolute failures..."  "It is the 'Cabiria' of comedy."  "She is supported by the well-known Keystone pair, Mabel Normand and Charles Chaplin.  To the latter falls the greater part of the action, and there is probably no one on the screen better able to give it a comedy twist than this inimitable comic." 

If you would like to see the movie, there are many poor-quality version available.  It has recently been restored.  I want to see that version. 

Wednesday, November 5, 2014

11 Stupendous Parts, 1000 Imposing Scenes, 5000 People in the Cast -- November 5, 2014

Motography, 28-November-1914

Giovanni Pastrone's Italian feature Cabiria was a popular spectacle which influenced filmmakers all over the world, including DW Griffith. It was set during the Second Punic War.  Note that Sol Lesser, who had the states rights for California, later became a producer.  He made Harry Langdon's first movies.  

Sunday, June 29, 2014

International 500-Mile Auto Race -- June 29 2014


The Indianapolis Calcium Light Company offered states' rights to a film of the 1914 Indianapolis 500 auto race, which had been won by French driver René Thomas in a Delage.  "If you don't want your state, write for first run in your city." 

Sunday, February 23, 2014

The Squaw Man 100 -- February 23, 2014



Be sure to click on the images to see larger versions. 

100 years ago today, despite what it says in this ad from the 24-January-1914 Moving Picture World, The Squaw Man premiered.  This feature was the first production of the Jesse L Lasky Feature Play Company, and the first movie directed by famous director Cecil B DeMille.  As the ad says, DeMille had a co-director: "The six reels of quivering action and cyclonic climaxes are now being produced in the exact locale of the play by Cecil B. DeMille and Oscar Apfel."  The Jesse L Lasky Feature Play Company, a precursor to Paramount, had the humble slogan "But one production a month -- and that a masterpiece." 


This item, from the 31-January-1914 Moving Picture World, purports to show "one of the first 'stills' sent East from the Jesse L. Lasky studio at Hollywood, California." 


I like the design of this ad, from the 31-January-1914 Moving Picture World.  It offers states rights and world rights for the movie. 


This ad, from the 07-February-1914 Moving Picture World, touts:
-- America's Most Gripping Drama
-- The Stage's Most Popular Actor
-- The Best Cast Ever Assembled
-- Staged By Two Master Craftsmen
-- Produced by the World's Most Artistic Producer

"Every Detail Spells Class"


"The Pulsing Achievement of Dramatic Art."  From the 14-February-1914 Moving Picture World Note the lists of sold and still-unsold territories. 


One of the distributors from the previous ad, took its own ad in the same issue.  The William L Sherry Feature Film Company had secured the New York State rights to The Squaw Man and other production of the  Jesse L Lasky Feature Play Company, along with the Famous Players Film Company, another predecessor of Paramount. 


Louis Reeves Harrison wrote a review of the movie in the 21-February-1914 Moving Picture World.  I don't think DeMille would have appreciated this: "I have not seen Oscar Apfel's name made prominent in connection with this winner, but I recognize his handiwork without difficulty.  Cecil DeMille, I am told, put his heart and soul into making 'The Squaw Man' an unqualified success, but his unbounded enthusiasm could only act as a support to the unhampered skill and decided native ability of the active director." 


The same issue carried an ad saying that "Jesse L. Lasky presented Edward Milton Royle's thrilling western drama The Squaw Man with Dustin Farnum in the title role at the Long Acre Theatre last Tuesday before 1400 persons and the expressions of of the auditors as they left the theatre substantiated every word of praise we have lavished upon this superb production."


A two-page spread from the 07-March-1914 Moving Picture World shows that only four territories were still unsold.  It quotes critical praise from newspapers, magazines, including Louis Reeves Harrison's review from above, and Variety


The cover of the 28-March-1914 Moving Picture World featured The Squaw Man


An ad from the same edition talks about the Jesse L Lasky Feature Play Company's next production, Brewster's Millions, a story which has been remade many times.  DeMille remade The Squaw Man twice, once as a silent and once as a talkie.  It mentions that Brewster's Millions will be directed by DeMille ("Master Playwright, Director and Author of Numerous Dramatic Successes") and Apfel ("Acknowledged Peer of Directors and Genius of Innovators").