Showing posts with label Bob Vaughn. Show all posts
Showing posts with label Bob Vaughn. Show all posts

Saturday, March 15, 2025

Lon Chaney -- A Thriller de Luxe -- March 15, 2025


Los Angeles Times, 11-March-1925

My fiancée, who is now my wife, and I used to go to San Francisco's Avenue Theater, on San Bruno Avenue, where Bob Vaughn accompanied silent movies on the Mighty Wurlitzer every Friday night.

Every year around Halloween, the Avenue showed The Phantom of the Opera with Lon Chaney. 

San Francisco Examiner, 26-October-1980

We went just about every year, so we probably attended this showing.

Indianapolis Times, 27-March-1925

Carl Laemmle, President of Universal, decided that the film should have its premiere at San Francisco's Curran Theater on Geary near Mason. The Curran now hosts mostly musical theater. I saw Pacific Overtures, Wicked and many others there.

Wednesday, October 30, 2024

The Phantom of the Opera -- October 30, 2024

San Francisco Examiner, 26-October-1980

Halloween is coming.

My fiancée, who is now my wife, and I used to go to San Francisco's Avenue Theater, on San Bruno Avenue, where Bob Vaughn accompanied silent movies on the Mighty Wurlitzer every Friday night. 

Every year around Halloween, the Avenue showed The Phantom of the Opera with Lon Chaney. We went just about every year, so we probably attended this showing.

Wednesday, February 25, 2015

The Great American Play at Last! -- February 25, 2015

New York Evening World, 20-February-1915

I have spent most of the month of February trying to work myself up to write about the premiere of DW Griffith's epic The Birth of a Nation.  I read about the movie for years before I saw it.  I saw it in 16mm somewhere while I was in high school.  Later I saw it at the Avenue Theater in San Francisco, where they played silent movies every Friday night, accompanied by Bob Vaughn on the Mighty Wurlitzer.  I remember that they chose not to put the name of the movie on the marquee.  I remember the audience getting very excited during the battle scenes and the ride of the Klan.  I got excited, too, which made me uncomfortable.  The distortions of history also made me uncomfortable. 

Professor John Fell showed the movie, without music, in a film class at San Francisco State.  The audience got agitated during some of the Reconstruction scenes and hissed during some of the bad stuff.  I didn't hiss, but I understood their feelings. 

This is one silent movie I chose not to show my daughter when she was growing up. 

The ad above promotes the New York premiere.  "Romance and Comedy Midst Historic Scenes."  The Romance and Comedy are not what stick in my mind. 

East Oregonian, 22-February-1915
This gossip column item mentions that BOAN will be the "first $2 moving picture." 

Washington Evening Star, 18-February-1915
This story talks about the famous White House showing for President Woodrow Wilson.  It reminds us that Thomas Dixon, the author of the two books upon which the movie is based, was "an intimate friend" of Wilson's. 

New York Evening World, 27-February-1915
The circle logo appears many times in ads for the movie.  I think this is the earliest example I have seen.  "The Expression of Genius in a New Realm of Art."  "Rich in Historical Value." 

Motography, 06-February-1915

"How the Clansman Was Made" was written before Griffith changed the name of the movie.  Don't believe all the stories. 

Motography, 13-February-1915
Griffith formed the Epoch Company to handle the roadshow release of the movie. 

Moving Picture World, 20-February-1915

The movie, now called The Birth of a Nation, had its exclusive New York first run at the Liberty Theater on 42nd Street near Broadway. 

Motography, 20-February-1915
"After arrangements had been made with Thomas Dixon to utilize his well known story, the author suggested the change in name so that the scope and tremendous appeal of the enlarged story could be more comprehensively covered in the title." 

Moving Picture World, 20-February-1915
An attempt was made to block showing of the movie in Los Angeles. 

Motography, 20-February-1915
"soon to begin work on a production that is to be even greater than 'The Clansman.'"  That would be Intolerance

Thursday, January 2, 2014

Buster Keaton Now With United Artists -- January 2, 2014


An ad from the 1927 Film Daily Yearbook. I wonder who took the photo.  Be sure to click on the image to see a larger version. 

Posing with a bird on his hat while wearing a dark-colored jacket just proves his courage. 

I remember sitting in my grandparents' rumpus room (theirs may have been the only San Francisco home I ever visited that had a rumpus room) when some channel showed an edited version of The General.  I loved the movie and I loved Buster and I loved the way my grandfather said he loved Buster. 

Later I managed to see some of his short films at the public library.  When I was older, I started to visit San Francisco's Avenue Theater, on San Bruno Avenue, where Bob Vaughn accompanied silent movies on the Mighty Wurlitzer every Friday night.  I usually went with my wife, who was then my fiancée.  There we saw every one of his features except Battling Butler, which I have never managed to see. 

I read his My Wonderful World of Slapstick, which I took out from the Main Library.