|
Columbus Ledger-Enquirer, 30-November-1922 |
This ad for
The Schemers, a Reol Production, is one of the more elaborate designs that I have seen for a race film. That's a pretty girl, but I don't know she was. I wonder if she was Edna Morton. "You will be proud to see what strides have been made by the colored artists who enact the principal roles in this picture."
|
Twin City Daily Sentinel, 16-November-1922 |
On 15-April-1922, the Tuskegee Institute, now Tuskegee University, dedicated a monument, “Lifting the Veil of Ignorance,” to its first principal, educator Booker T Washington. Reol Productions made "A Tuskegee Pilgrimage," a short documentary about the ceremonies.
|
Topeka Daily Capital, 26-November-1921 |
Spitfire was another Reol production. It starred Edna Morton and Lawrence Chenault. "Go-Get-'Em-Hutch" was a mainstream movie serial.
|
Vicksburg Evening Post, 22-November-1922 |
The Crimson Skull was a western directed by Richard E Norman. The all African-American cast starred Lawrence Chenault and Anna Bush. The run at Vicksburg's Princess Theater featured a personal appearance by Steve Reynolds, who many will remember as the hero's one-legged friend and mechanic in
The Flying Ace, a later Norman production, and the only one which is known to survive.
Why Men Forget was a mainstream film starring Evelyn Brent.
|
Vicksburg Evening Post, 24-November-1922 |
"6 Reel Western with Plenty of Action." Fightin' Devil was a mainstream western directed by and starring Robert McKenzie.
|
Vicksburg Evening Post, 22-November-1922 |
"Race Talent Score Triumph."
|
Dallas Express, 25-November-1921 |
I have mentioned before that I greatly admire John Harris, owner and manager of the Grand Central Theater in Dallas, who had a policy of showing race films. Unfortunately, there were not enough race films in distribution to allow him to show only race films. This week he showed Erich von Stroheim's popular
Foolish Wives.
|
Daily Ardmoreite, 30-November-1922 |
Springfield Ohio was soon to have its first movie theater for African-American audiences.
|
Sioux Falls Argus-Leader, 18-November-1922 |
I could not find any references to race film pioneer Oscar Micheaux's movies, but here is a review of his latest novel. I can't tell if the tone is sincere or snarky. I think it is sincere, but it could be read as snarky.