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| Moving Picture World, 18-April-1914 |
Mitchel and Moe Mark (the Mark Brothers, not Marx) operated Edisonia Hall, an amusement arcade in Buffalo, New York. On 19-April-1896, they moved to a larger location in the new Ellicott Square Building, which still stands. In the basement they opened Vitascope Hall, which may have been the first purpose-built movie theater in the United States. Vitascope Hall lasted only two years, but the Mark Brothers went on to build and operate many movie theaters, including the opulent Strand on Broadway, which they opened in 1914.
from Terry Ramsaye, A Million and One Nights/A History of the Motion Picture, 1926:
THE Strand theater opened on Broadway, April 11, 1914 and
the nickelodeon age of the screen was ended.
The motion picture had risen from the peep show novelty lo
the status of a vehicle of pretentious drama, and now stepped
forward to contest the supremacy of the speaking stage on "The
Great White Way.''
In the history of the Strand theatre we may trace the lineage
of the films, complete in every step. The Strand was the project
of the the late Mitchell
(should be "Mitchel") Mark, who began at the beginning.
When the first Edison kinetoscopes appeared in 1894 Mark was
conducting a phonograph parlor in Buffalo. N. Y., under the
name of "Edisonia Hall." It presented scientific and
electrical novelties, and was a dime museum of curiosities of the
dawning era of electricity. Mark was really engaged in starring
"The Wizard of Orange."
The daybook of the Kinetoscope Company records the shipment
of a battery of peepshow machines early in 1895 to
Estelle B. Mark, Buffalo. And when, next year, the
Armat-Edison Vitascope projector appeared Mark hastened to negotiate
for "a screen machine." Then after a time the firm of
Mark & Wagner opened a picture show arcade in New York's
Fourteenth street, an avenue to fame for many of the motion
picture's illustrious names.
The opening of the Strand by Mark completed, in his single
career, the entire evolutionary progression from the Edison
laboratory machine of 1889 to the grandiose modern screen
period. Moe Mark, a brother, and the Mark-Strand theatres, carry on the tradition today.
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| New York Sun, 25-October-1914 |
